A Passer-by's Opinion"Look at the size of that erection".
Seven words that would tantalize the curiosity of any passer-by and that certainly grabbed the attention of this one. The context to this American tourist's voluble soliloquy was O'Connell Street, this country's primary thoroughfare, and the "erection" to which he referred was the Spire of Dublin, the hospital bed eating overspend that, for a while after it's completion, surpassed politics and even the weather as this country's most popular talking point. But as I walked by, the backpack-clad tourist’s words got me thinking. We’ve seen the photographs and we’ve certainly commented on it at some stage over the past few years but what do we really know about the newest addition to Dublin’s skyline?
Initiated by an international design competition, embroiled in a courtroom dispute,
subjected to mass criticism over it’s budget overrun and finally completed in 2003, the Spire of Dublin has certainly enjoyed an eventful start to it’s residency on O’Connell Street. It replaces another controversial installation, Nelson’s Pillar, which was eventually blown up by the IRA in 1966 and left O’Connell Street devoid of any vertical focal point. It was to become the new focal point for rejuvenating a neglected and slowly dilapidating area of Dublin but soon became synonymous with “wasting” public money. As is the norm in Ireland we complained about the spiraling costs whilst ignoring the end product. And as is the norm we questioned the costs in terms of new hospital beds and motorway miles. Now that the debate has finally ceased it’s important to evaluate what we eventually acquired - a stunningly beautiful piece of art, an engineering achievement of enormous magnitude and an aspiring symbol of modern Ireland.
The design for the Spire, by English architect Ian Richie, was inspired by Ireland’s rich collection of standing stones and round towers. Only 3 metres wide at the base and tapering to a width of just 15 centimetres, its slender profile more than satisfied the brief of providing a centre piece for the street without overpowering its surroundings. And at 396 feet in height it can be seen from most parts of the city, thus pinpointing the city centre from all around. The highly polished stainless steel structure is designed to reflect the Irish sky during the day, which as we know is in constant change, and reacts by varying to shades of steely blue, grey, yellow, hazy silver and many more in accordance with environmental conditions. At night it presumes a different character, the satin black form being gently lit from the base and lit through the 11,692 15mm holes of its perforated tip, distinguishing its position and providing a beacon in the night sky. The beauty of the Spire is in its apparent simplicity – its seemingly ever increasing height, its reflective polished surface, its unobtrusive bearing. Soaring skywards, it’s the tallest sculpture in the world.
The real beauty, however, is the engineering brilliance required to achieve its structural accuracy. To realize the height and slenderness the Spire has been constructed in eight sections, each section consisting of 44 smaller sections. That equates to approximately 2 miles of weld. The sections were then polished to obtain the finish we see today. In fact, the bottom section required polishing for a constant month to obtain its mirrored surface and was eventually shot peened with steel balls to achieve the swirling design that you only notice up close. Custom built machinery was used to undertake these tasks. To reduce the amount of swaying in the wind, which it does by 1.5 metres in any direction at the top, a two ton damper was installed and held in position by hydraulic pistons. There are lots more facts and figures that I could at this point regurgitate to underpin my next point, like the fact that it needed the largest crane ever erected in Europe to undertake the build, but in this writer’s opinion hindsight will prove the structure we see gracing O’Connell Street today, will be remembered as one of the greatest engineering achievements of this century.
So, why the furor? Well the fact of the matter is we like to complain at first before we can truly appreciate something. It brings to mind a similar venture undertaken by one Gustav Eiffel in 1889. His tower in the centre of Paris was built to showcase the talents of the French Republic. Like the Spire, the structure was dismissed by the city’s inhabitants. In fact, Emile Zola once wrote that he liked to eat in the Jules Verne restaurant on the second floor because it was the only place he could sit without seeing the thing. Today that same structure has recently celebrated its 200,000,000th visitor and is now a symbol for France. And like the case of the Eiffel Tower, public opinion concerning our own phallic edifice is changing. A recent survey has revealed that the Spire is now considered by many Dubliners as being integral to the city’s image. In short, it is now considered just as important an image for Dublin as the portico of the GPO, Cleary’s clock, the Custom House and the Halfpenny Bridge and as such it has acquired, in true Dublin fashion, a dearth of nicknames including “The Spike”, “The Stiletto in the Ghetto”, “The Rod to God”, “The Stiffy by the Liffey” and “The Erection at the Intersection”.
That brings me back nicely to the out loud thoughts of the American tourist. The smile on his face conveyed to this passer-by that, unlike us, he appreciated what he saw immediately. He saw an elegant creation towering above the streetscape. He saw how a simple piece of planning can enhance a classic thoroughfare. But, more importantly, he saw a modern symbol in the heart of a historic city that represented the giant strides taken over the last decade in creating a modern Ireland - an amalgamation of old world ideals and new world spirit.
So, moving onto the next question, why would this passer-by feel obliged to share his feelings with the people reading this local news column? Well, firstly, it’s always good to know that the state of affairs of the creative genre in this country is quite healthy at the moment. And by reading this maybe it will entice you to take a long look at the Spire on your next visit to Dublin, whether it be for a shopping foray or a match, and evaluate it for yourself instead of regurgitating the editorial comments of the national papers. Maybe then we can rightly feel proud of our achievements and bury the critical attitude towards spending public money.
But, to tell the truth, I wrote it because I was bored.